#1 Consumer Comment
AUTHOR: Gary - Winter Park (U.S.A.)
SUBMITTED: Saturday, November 27, 2004
POSTED: Saturday, November 27, 2004
Ripoffreport failed to include my link to the article, so here it is. Go to Geocities and after their URL add fullsailexposed. Fullsail: We Take Your Dreams, Seriously
A critical look at Fullsail and how it beats you. There are many aspects to attending a college, and Fullsail is no exception. Issues such as duration, cost, quality, facilities, and staff are all things that should affect your choice of where to attend. This analysis attempts to examine the Fullsail experience from beginning to end, and subsequently exposes where students are either let down, deceived or outright cheated. First Point: Cost to Value Ratio Whether you believe FS is a good school or not, do the math and ask yourself: "Do I really want to spend all this money, this fast?" For example: look at their most popular degree, the recording arts program, which costs $37,995 and lasts for 12 months. $37,995 divided by 12 months equals $3166.25 per month for tuition. Divide the tuition by the number of total classes in the curriculum (19) and each class comes at an average cost of $1999.74. For comparison, $2000 will pay for 20 credits at University of Central Florida (just down the road) at the in-state tuition rate, more than an entire semester. Pricing and duration of programs offered at Fullsail (from catalog vol XVI ed. 2, 7-04): Program Tuition Duration Degree
Computer Animation $38,660 14 months Associate's of Science
Digital Media $38,275 13 months Associate's of Science
Film $37,075 12 months Associate's of Science
Recording Arts $37,995 12 months Associate's of Science
Show Production $37,005 13 months Associate's of Science
Game Design $58,775 21 months Bachelor's of Science
Entertainment Business $25,800 Add 9 months to AA Bachelor's of Science Tuition, however, is not the only factor in the cost of attending Fullsail. Additionally, the hidden costs of relocation to Florida, housing, utilities, food, entertainment, incidentals and other various expenses can add upwards of an additional $1000 per month, simply to live within commuting distance of the school if you are not a native Floridian. Second Point: The Quality of Your Classmates Unlike most two-year and four-year colleges, Fullsail does not require applying students to submit anything along the line of an essay for admission. Those who market Fullsail often ask applicants, "What are you passionate about doing?" but don't ask applicants to put those thoughts down in written form. Not only does this prevent Fullsail from screening out persons with absolutely no written communication skills, but it's also a ridiculous question that if answered on paper would look excessively trite. They don't ask for it because applicants who read what they write may just realize how foolish they sound. Because Fullsail deals so greatly in art-related studies, it is also disturbing to note that Fullsail has no requirements for portfolio submissions to enter art-related programs. Any art school or university offering a visual arts program requires a portfolio submission to assure the applicant possesses both the ability to create art, as well as the ability to think like an artist. Although there have been many talented artists to attend Fullsail, the lack of a portfolio requirement allows the entry of persons who lack any artistic talent, nor the ability to think creatively. Hence, these persons are being set up for failure; spending vast sums of money working toward a career goal that is unattainable. Sadly, far too many of Fullsail's students fall into this category. Third Point: Fullsail is Not an Art School! The entertainment industry (which Fullsail ignorantly claims to have such renown with) knows this. Students of other schools such as Ringling School of Art and Design, Savanna College of Art and Design, and Vancouver Film School all have portfolio requirements, and their students consistently put out work far superior to that of the average Fullsail graduate. Simply by attending Siggraph, an annual convention at the heart of the computer graphics industry, you can see that the graduates of these aforementioned schools are regarded quite highly among the animation community. Their animations consistently make it into the Electronic Theater and Animation Showcases every year. Although there are "traditional" art courses included in certain programs, Fullsail does not teach one how to be an artist / DJ / director / or web designer. What you learn over your 12-14-21 months at Fullsail is how to press buttons. Like a monkey training to be shot into space, you are shown every menu, every aspect of how a particular software program works. The flaw in this methodology is that software is always changing, and the program you learn in Fullsail might not be the same as what you end up using out in the real world (assuming you can find a job). Fullsail lacks the requirements of an essay and portfolio for a very good reason; they don't want to turn down your money. At almost $40,000 a piece for tuition, you can see why, but that is the sad truth. The only requirements for attending Fullsail are money... and a heartbeat. Hence why some circles refer to Fullsail as a "Diploma Mill," because if you have the money, you have a diploma. Not only are many graduates unmarketable, but they have a degree that's not worth the paper it's printed on. Fourth Point: Is Fullsail a "School" at All? Fullsail asserts that it is an accredited institution, which is why it can offer degrees rather than simple certifications for its programs. The truth is that the rest of the academic community does not feel the same way. Credits from Fullsail are not transferable to any other institution besides Fullsail. This means once you get out of Fullsail and realize you need to go get a real Degree (i.e. a Bachelor's or Graduate Degree), you'll be starting as a freshman (with $50-60,000 in debt right off the bat). The reason for this, is that Fullsail is "accredited" by the Accrediting Commission of Career Schools and Colleges of Technology (ACCSCT) (school #055214), which has standards that are a far cry from the accrediting agencies that sign off on state universities and private four-year colleges. You can always contact the ACCSCT and check with them to see if and how many complaints have been filed with them against Fullsail. Most four-year institutions are held to a higher standard. Most professors you will find possess at least a Graduate Degree in their area of expertise, giving them authority over what they teach. Fullsail, on the other hand, still has many instructors who have at the most an Associate's degree in only a quasi-related field. I have been informed that the school is attempting to strengthen their teaching staff's credentials by insisting that all new hires have at least a Bachelor's degree or the equivalent amount of work experience. Sounds like a step in the right direction, but current staff members are "grandfathered in," thus not being affected by the policy change, and said policy is only being sporadically enforced for new hires. Last month's Fullsail graduate could still be next month's Lab Instructor. Ironic, considering that by Fullsail's standards, a Fullsail graduate is not qualified to work at Fullsail. Fifth Point: So You Decide to Go to Fullsail Anyway So (assuming you know of the above stated circumstances) you've decided that none of these things bother you and you're ready to seriously consider Fullsail as your next school. Whether through your Fullsalesman (admissions advisor) or through attending the monthly "Behind the Scenes Tour," you start getting the big sales pitch. The pitch can have many facets, but there are several points Fullsalesmen always hit on. I will brief you on the "Behind the Scenes Tour," where you will fly to Florida and are taken on a luxurious tour bus from your hotel near the airport, to Fullsail, where a dazzling lightshow awaits you. They play a short introduction video called "Define Your Future," where the bass throbs and the words "Knowledge, focus, attitude, skills, inspiration and confidence," materialize on screen with definitions that, in conjunction with the sounds, make your hairs stand on end. Once they have your attention, Gary Jones, president of Fullsail bursts on stage through the smoke. The audience claps like a group of trained seals. What follows is a well-structured sales presentation designed to play off of your hopes and dreams, as well as overwhelm your ability to think critically. Some of the selling points they use to part you from your money are: Follow your dreams: So you want to make a career "doing of what you love," what you're "passionate about?" Making music, movies, video games or traveling the country with your favorite rock group is the quintessential wet dream of your professional life. You are treated to a video montage of various recording artists' music videos, segments from motion pictures, clips from popular video games, etc., below which the names of Fullsail graduates appear who "made it," in the entertainment industry. They may even parade a couple of graduates up of stage to talk about how they "made their dreams a reality." You start thinking, "Hey, all those guys made it, maybe I can too!" Believe me, I know firsthand that for far too many of Fullsail graduates, your dream is, and will remain just that; a dream. But even if you "make it" in the business, that's no guarantee of success. It's hard work, and the average career of many industry professionals is quite short. You will still be making student loan payments on Fullsail loans long after you have changed careers and become an accountant, barber or homeless transient. The staff and equipment: They then tell you how their school has all the latest cutting edge equipment and the best instructors who are right out of the industry. As I mentioned earlier, there is a reason these persons are no longer in the industry. Think of the old proverb, "Those who can't do, teach." I personally had no problem with the instructors as people, but they lack qualifications, and taught several outdated techniques pertaining to the computer animation discipline that put graduates at a disadvantage in the real world. As for the equipment, it is possibly their best selling point. They'll tell you how they have million-dollar recording consoles and labs with over a million dollars-worth of gear, and that it is updated on a constant basis. Although the gear is high quality, and possibly their best selling point, this is all very deceptive. Look at the monitors in any computer lab, and you will notice several that need replacing due to permanently distorted colors. Equipment is not updated as frequently as they lead you to believe, nor is the majority of your tuition going into paying for it. Through bulk software licenses and corporate sponsorships, Fullsail spends surprisingly little of your tuition on gear. Rather, much of your tuition goes to pay for the very marketing machine whose gears you are now being churned up in. Fullsail maintains a fleet of small vehicles, busses, and tractor trailers that constantly tour the state of Florida visiting high schools attempting to recruit additional students. Additionally they run print, radio and online advertisements in/on several of the most popular industry-related periodicals, websites and radio stations. The school runs 24/7: They say this because they want you to think this hectic class schedule, where you could have labs running as early as 1am-5am, better prepares you for your new career in the industry. In reality, it affords Fullsail the opportunity to push through more students per month than if it ran on a more orthodox schedule. This kind of schedule, however, is very stressful, and before a student even completes his degree, he/she can suffer from "Burn out," whereby they will simply give up and lose all interest in their work for a period of weeks or months. Unless you believe honestly that you can avoid this condition for 20-30 years, (and most people can't) your career in the industry will be relatively short (again, assuming you can "make it" in the first place). The "Magic drawer full of jobs," speech: So here's the big bombshell; selling you on their placement department. A woman named Debbie Mills will walk on stage and begin with hitting on the placement rate of students into "the industry," which according to them (that's right, the figure is not independently verified) hovers around 70-80%. First, Fullsail's definition of "the industry," can encompass many different jobs. If you get a job working behind the scenes on a movie set, naturally, you are considered "placed." However, if you get a job working behind the counter at an AMC theaters, Sam Goody, Electronics Boutique or Blockbuster Video, you are also considered to be placed (and guess which one occurs more often). Whatever placement rate they tell you, divide by 4. Secondly, they may paint you a rosy picture of how the entertainment field is growing, and it probably is, but not so much domestically speaking. India, New Zealand, China, Australia, the UK, Canada; all these countries are seeing additional jobs come their way. Jobs in animation, video games and motion pictures are going overseas where the cheap labor is, while at the same time Fullsail, and dozens of other schools like it, are churning out boatloads of graduates here in the United States. Domestically, the growth of the industry is far eclipsed by the flood of new "talent" entering the workforce, leaving said "talent" to fight over the leftover scraps not consumed by the industry veterans who have already been established for years. So what is the "Magic drawer full of jobs," speech? Debbie Mills will tell you there is no magic drawer full of jobs for you when you graduate. If you want to be in the industry you have to work and fight to get your foot in the door. You may have to work an unpaid internship as an "audition" for a job (assuming they offer you one afterward). But what you should take away from this speech is that Fullsail's placement department will not find a job for you, nor can it help you find one for yourself. By their own admission, Fullsail's placement department is worthless. Fullsail puts out a majority of graduates that lack the skills, attitude and intelligence to work in the entertainment industry, and the industry is catching on. Of the few studios and venues that exist in and around the Orlando area, most have already been turned off by their experiences with prior Fullsail graduates they have hired and have blackballed future Fullsail graduates from consideration for employment. The grand finale: After one last round of applause and the light show draws to it's close, you tour the school. You will see the building and campus (which as a student I noticed got a thorough cleaning and fresh coat of paint every month just before the weekend... my tuition dollars at work), as well as sit in a few of the classrooms and labs. Throughout the hallways are dancing lights, glowing monitors and the projection of Fullsail's animated logo everywhere. Every other day of the month all of these pretty things are shut off and put away. While sitting in the labs a resident course director may tell you a little about what goes on in lab and talk about the equipment and software being used. They may even guide the group through a simple tutorial exercise on the gear, a tactic known by car salesmen as getting you to take "mental ownership," i.e. the more you touch the more you think it's yours. Once the tour is complete you are taken to an area with food and drinks, where you meet up with your Fullsalesman (i.e. admissions representative). After you tell them how much you enjoyed your tour they attempt to close you by saying something innocuous and non-threatening, like "When do you think you might want to start?" At this point you've been pretty heavily stimulated; you have been treated to transportation, food and a show, and all they want is for you to go to school there. You think, "This place is a lot of fun, so why not?" and as a result many of their prospects sign up. Sixth Point: So Now You've Signed Up, but How To Pay for It? Fortunately for you, Fullsail has "special" loan packages "tailored to fit the needs of Fullsail students!" These loans are through preferred lenders Fullsail has established business relationships with. My first loan was for over $20,000; payable before I even set foot in the classroom. Why? Because Fullsail also makes a great deal of money from their students financing their education. It pockets a large amount of money up front, and sits on it, gaining interest through the banks. Also, if Fullsail is anything like a car dealership (and I'm willing to bet that it is) then the school could be receiving kickbacks from their preferred lenders for all of the business they have brought them. One more little scam is dealing with "Living expense" checks; loan money taken out in addition to the tuition amount to pay for the essentials while students attend school. Fullsail issues out checks on a quarterly basis to students so they can pay for their rent, food, gas, etc. What they don't tell you though, is that they get every dime of your living expense money upfront, and then dole it out to you when the time comes. Meanwhile they are earning interest on your money, while you are accruing interest on that same money from the day the loan was taken out. Had I known this fact I would have demanded all of my living expense money upfront. Amid my time at Fullsail their "preferred lender" changed, and the interest rate for my loan for the second half of the program nearly doubled. It was explained to me that this new lender had very stringent credit requirements, but there is an alternate theory that is far more likely. The theory is that the prior lender was no longer willing to take on the liability of Fullsail students who fail to repay their loans. According to the Department of Education website, the default rate of Fullsail students is approximately double that of students attending the University of Central Florida for repayment of Federal Family Educational Loans (FFEL's) (which include Federal Stafford Loans). Bottom line: the first lender, and the second, are both well aware that Fullsail students are a far greater credit risk than average for failing to repay their loans. As you may guess, this may be directly related to the number of unemployed Fullsail graduates out there. Seventh Point: Time for Class Most classes at Fullsail are one month in duration. I could say, "How can you learn [insert skill here] in only a month?" but that isn't what I'm trying to point out. Most lectures are 4 hours in length, and the pace is fast and furious. By the end you should be able to complete the class' final project successfully. Your books for this class will either be a bound, photocopied text written by your course director, or an occasional printed book like you would find at the bookstore. At the end of each Fullsail course you will be given a chance to fill out a course evaluation form, which allows you to make comments and express concerns over the course curriculum, course directors, labs and lab instructors. Whatever you write, chances are it will take upwards of 6 months to be implemented (if it happens at all). The hectic class schedule prevents course directors from being able to update their textbooks, alter the curriculum, or take other measures to react to student input on how to improve their course in a timely basis. Eighth Point: Why Pay for a Steak, Just to Wind up with a Hamburger? From this evidence it is plain to see that the best option compared to Fullsail is a 4-year school (art school or otherwise), state university, or a full-blown art school such as Ringling, SCAD or VFS. These schools are held to higher standards, and so are the students. They require time, talent, patience, perseverance, and intelligence to be successful. Unlike Fullsail, these schools give you an opportunity to learn and grow, have a social life, and make some lifelong friends. You may have athletic events, extracurricular activities, clubs and organizations on campus, the possibilities are numerous. Tim Naylor is a featured graduate on Fullsail's official site, who "made it" in the industry working for Industrial Light + Magic on the Star Wars films. I saw him speak at Fullsail one day while I was still early in my program. He told the audience that work needs to be left in the workplace, and you absolutely need to have your social/personal time. The irony is that this contradicts Fullsail's philosophy that you should "Eat, sleep, live and breathe" your work. Choke on it, Fullsail. When you take the longer path, you will have more time and be able to do more than just scratch the surface of a subject. Employers are not impressed by an Associates degree, or two or three. I know this as fact. When you tell them you graduated from Fullsail, employers will either say "Oh, Fullsail." or "What's Fullsail?" Not a good foot to start off on. But when you say you graduated from University of Central Florida, or University of Virginia, or Yale or SCAD, the employer knows where you're coming from. In Summation: Fullsail offers something different than a "traditional" college. That's good, because conformity sucks, right? Not where your academic career is concerned. The "traditional" college exists for a reason, and employers respect degrees from such colleges for a reason; because they mean something. Graduates of traditional 4-year schools are better qualified as a whole, period. Fullsail merely teaches their students how a software application works and what buttons to press. As the industry changes, your skills will soon be outdated and you will either need to learn something new or go back to school to get caught up. They work to a different standard, which is no standard, and will give anyone with $40,000 and a heartbeat a degree. A Fullsail degree isn't worth the paper it's printed on, so getting a real degree is a far superior choice. If you are still interested in being in the entertainment industry, look for schooling alternatives. If you don't think you can handle the stress of working in the industry, or of the process of job hunting in said industry, without suffering burnout in only a few short years, go to a university and get a degree that is more widely marketable than "Recording Arts," or "Game Design." That's what I'll be doing...
#4 Consumer Comment
AUTHOR: Minus props - Clayton (U.S.A.)
SUBMITTED: Friday, October 30, 2009
POSTED: Friday, October 30, 2009
In case you are sitting there thinking that the above
warnings won’t apply to your major, I speak to you: The Film and Television
Major.
Anyone can be a student.
-
What this SOUNDS LIKE: You will not be turned
away because your style is “wrong”. You won’t have to labor for two years in
General Education (I.E. High School 2). You can get right into the thick of it.
-
What this ACTUALLY MEANS: Every lazy chucklehead
and melodramatic fool gets to call dibs and have an equal chance of calling the
shots as you, on every single project. The material is watered down so
literally anyone can pass a class.
Full Sail Prints its own books for courses.
-
What it sounds like: A no-nonsense Bible for
success customized to the actual course.
-
What it actually means: The book will clock in
at maybe 100 pages and will only cover as much material as they will teach you
in one month.
The 16mm Project.
The script will be chosen out of your Screenwriting course
final projects either by your instructor or via a class vote.
You will not direct it. At best, you will be placed in a
committee of four or more “directors”, all of whom share creative authority and
WILL have different views on virtually every shot, rewrite, lighting change or
acting tweak. You WILL have to fight just to retain what little authority you
can carve out every time the project is being discussed or worked on. There
will be no concensus.
You will only have two twelve-hour days to shoot the
project.
You WILL spend at least five and up to twenty minutes
between individual takes and scenes debating what needs to be changed, how to
adjust the line reading, or every other thing under the sun, all while your
talent and crew are left rudderless and precious time ticks away.
16mm Editing
You must pair off with at least one other student to do the
edit. After three weeks of editing, your entire class VOTES on the edit that
will go to disc. God help you if you can’t get your copy onto another medium
yourself because half the “course instructors” don’t care.
Screenwriting:
Your final, and only project clocks in at 11 pages. 11.
Pages.
Buy some used books by Strazinsky and Syd Field. You will be
in MUCH better shape to tackling the true scope of screenwriting. Heck, get a
hold of final drafts of your favorite movie scripts and you’ll be leaps and
bounds beyond the average student.
Documentary
It doesn’t matter how hard you work in this class. A group
of morons whose final project is a “party video” will pass just as well as you
will with an actual documentary.
35mm project
The standards for above-the-line selection are higher and
come with a portfolio requirement as well as a written portion to justify your
selection. Unfortunately, the committee approach still applies, as well as all
of the problems from the 16mm project. The script is voted on once again, so
you better pray that there are enough people in your class with artistic merit
to NOT pick the Seven knockoff.
TO SUMMERIZE:
Full Sail is not a worthwhile choice. The “SCHOOL” is a
FACTORY for Below-The-Line personnel. It is merely a work-force generator. My
advice, do whatever you have to in your own life to allow yourself to work on
building your own skills for a year or so, and use the result of that work to
get into a real university or college. If that mean you are forced to work full
time and become an insomniac to build your own skills because of family rules.
DO IT.
In other, better colleges, you have a good four years to
study in class, and build your skills outside of class. Full Sail forces you to
sacrifice everything just to keep pace with labwork, and the results you walk
away with on graduation simply are not worth it.
I wish to God that the above “first search” postings about
Full Sail were around when I was forced to go.